Publishing Design - Task 3A
Tai Tong En / 0363164
Publishing Design / Bachelor of Design (Hon) in Creative Design
Task 3A: Book
- The binding method shall be predetermined to be staple binding (saddle binding). The book is of 32 pages, which is smaller than A4 and bigger than A5.
- After developing content (text and visuals) the next stage is to determine the format (size and binding method), and an appropriate & attractive layout based on a suitable grid system, choice of font/s and use of colour.
- Need to adapt a suitable grid system, choose a fitting font and create an attractive layout in InDesign.
- Choice of colour must compliment your visuals and play a role that is supportive but also create
- dynamism where needed.
- Advised to limit the use of colour, as it could be distracting.
- Need to determine paper type, for cover as well as inside pages. A visit to the paper factory Hiap
- Moh or Conqueror or a print shop is advised.
- The end result will be an actual size mock-up of the book with finishing that is of good standard.
Heading: Cambria Bold (size 22pt)
Subtext: Cambria Math Regular (size 16pt, leading 19.2pt)
Body text: Minion Pro Regular (size 12pt, leading 14.4pt)
Final Book Design
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Link of E-book - https://online.fliphtml5.com/cfdpq/xekx/
Working on this task was both rewarding and challenging. Initially, I struggled to create a layout that seamlessly integrated the narrative with the visuals, resulting in a disjointed presentation. The emotional depth of the story, which revolves around a young girl and her dog, required thoughtful pairing of illustrations and text to fully capture the themes of companionship, love, and healing. Early drafts lacked coherence, with sections feeling isolated rather than part of a unified whole. Through reflection, I learned the value of maintaining a clear sequence and allowing each page to build upon the last. Seeing the final printed storybook was a moment of pride, though it also highlighted the considerable investment needed for high-quality production.
Observation
I discovered that the choice of font and visual style plays a critical role in conveying the emotional tone of a storybook. For A Journey of Two, it was essential to select fonts that were warm and approachable, ensuring they complemented the heartfelt illustrations without overpowering them. Additionally, balancing text and imagery on each page was crucial to create a flow that guided readers naturally through the story.
Findings
This project taught me the importance of harmonizing narrative elements with design to create an immersive experience for readers. Following a consistent grid ensured the layout was both neat and visually appealing, while experimenting with different designs allowed for a more creative approach. I also learned the value of feedback during the process, as it helped refine the connection between the story and its presentation. Moving forward, I aim to further develop my skills in storytelling and layout design to create even more impactful and cohesive storybooks.
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